title | description | 00:00 | Album |
---|---|---|---|
Dance around the Fire | Lively Dance With Choir Of Girls, Happy, Joyful, Feel Good, Positive | 03:32 | |
Seven Indu | Intense, evolving, flowing rhythm. Arabian vocal at 00:50. | 04:46 | |
Arkas ala dafa altiar | Groovy dance, images of an oriental celebration. Arabian vocal at 00:51. | 04:10 | |
Long Island | Rhythmic bass and percussion. Guitar arpeggios. Simple and bare, little tension on a few chords. | 01:18 | |
Ragatronic | Indian rhythm and acoustic double bass. Good sitar buzz in the background. No melody but singing tablas. | 02:14 | |
Peul | Percussion and african chorality, Afro Beat, Special percussion solo | 03:52 | |
The Voices Of Insects | On a rhythmical base, morphing electronic sounds seem like voices from small creatures chanting or even arguing, then strings and an increase in the percussive pattern join this unusual dance. No drum version. | 04:19 | |
A New Scenario | Cinematic and tense strings, cinematic, double bass solo and funk drums and latin percussion. | 02:22 | |
King Of Kings | Motivation, pump em up hip hop/trap. drama, realty-tv, series, tv-themes, thriller, trailer, sports drama, competition, basket-ball, street-culture, city, action-movies, sports, action, childish-video-games. | 03:09 | |
Asian Percussion 2 | Traditional Japanese drums, minimalist sound with a solemn, spiritual vibe. Percussion - Asian. | 01:52 | |
Asian Percussion 3 | Traditional Japanese drums, minimalist sound with a solemn, spiritual vibe. Percussion - Asian. | 02:03 | |
To Brahma | Meditative, Hindu mystical force. Female voices, synthesizers, Asian instruments and percussion. Dead Can Dance, Era, Enigma. | 03:04 | |
Hybrid Dance World | Dancing, folk. Female voices, synthesizers, instruments from the Far and Middle East, bass and percussion. | 01:59 | |
Rising Anger | Orchestra hybrid, rock/metal band fusion, slowly building with a magical fanatical feeling. Orchestral/Symphonic, Orchestra-Hybrid, Fusion. | 02:38 | |
Battle The Enemy | Percussion only. Orchestral/Symphonic, Orchestra-Hybrid, Fusion. | 02:32 | |
Hazard Zone | Big beat in the Prodigy style. Analogue synths and punchy drums create a tense mood. Speed and danger. Computer games, action scenes. 30 seconds version. | 00:38 | |
Maya | Travel soundtrack featuring pan flute and ethnic percussions with a modern twist. Exotic, world beat, epic journey, nature, documentary. Flute at 00:34. Break version. | 01:11 | |
Evil Is Coming | 30' version. Dynamic Action. Full Orchestra and Choir. | 00:32 | |
Big Drums | Jungle, World - African, Tribal, Combative, Percussions, Drum machine. Africa, south african, Party, Feelgood, Tv, Celebration, Sports, Positive, Upbeat, energy. | 00:58 | |
Rockin | Rock, Electro, Tribal, Urban, Overload guitar, Synth bass, Drum machine. Party, Sports, Lifestyle. | 03:42 | |
Sport on | Jungle, Techno, Tribal, Repetitive, Percussions, Drum machine, Effects. Drum and Bass, sports, extreme, energegetic, action, soccer, rugby. | 00:58 | |
On The Run | World - African, Tribal, Trance, Percussions. Light Hearted. | 00:43 | |
Bangani | Jungle, Dance, Tribal, Positive, Speaking voice, Synth bass, Electric piano. Africa, south african, Party, Feelgood, Tv, Celebration, Sports, Positive, Upbeat, energy. | 02:01 | |
EDM Mood | Jungle, Electro, Tribal, Psychedelic, Percussions, Overload guitar, Synth. Africa, south african, Party, Feelgood, Tv, Celebration, Sports, Positive, Upbeat, energy. | 03:23 | |
Zakithi | World - African, Lyric, Positive, Singing voice, Choir. Acapella Version. African, South African, Zulu, Shaka Zulu, Durban, Natal, Traditional. | 01:30 | |
Village Fire Dance | World - African, Festive, Tribal, Ethnical voice, Percussions. Live record. | 04:18 | |
Magnetic War | Short version. Dynamic, Motoric, Powerful sequences for Timpani. Drums, Grand Piano and other percussion instruments | 01:17 | |
Treasure Map | Adventure awaits you as edgy arpeggiated guitars, strings, synths and native beats guide you to treasure. Under The Blue Sea. | 03:40 | |
Show Em What You Got | Electro rock funk monster with a mid eastern themed melody roars into a superhero soundtrack chorus. Out Of The Wilderness. | 02:24 | |
Hot Night Streets | Space, Atmospheric, Pulsing Synth theme. FX guitar. 30' version | 00:35 | |
Corrupion | Dark String with nagging Drums and FX sounds. Minimal. 30' version | 00:32 | |
Drug Lab | Pulsing Sounds Structure. Repetitive motif. Minimal. 30' version | 00:34 | |
CyberWorld | Robotic, Repetitive, Hard sequences. FX sounds. 30' version | 00:36 | |
Dangerous | Suspense, Tense Atmosphere. | 01:44 | |
Strutting Your Stuff | Streetwise cool and swagger meet head on with cool duel harmony guitar melodies on a funk rock riff tune. Everyday Hero. | 02:00 | |
Deliver The Goods | Grungy in your face melodic riff guitars head into a chorus of classic alternative rock goodness that sings. Everyday Hero. | 02:20 | |
Bio Current | Experimental, Pulsing Sounds structure. 30' version | 00:34 | |
Syringe | FX Female Voice, Experimental Sounds. Futuristic, Space, Pulsing theme. 30' version | 00:30 | |
The Shield | Pulsing, Dynamic theme. Mysterious.Tension atmosphere. 30' version | 00:32 | |
Giant Psycho | 70s progressive pop rock with psychedelic guitar solo. Reference to Robert Fripp and Petter Hamill. | 03:58 | |
What I Got | Electro space and dark. Panoramic, psychedelic. Intro calm 1mn30 with piano chords and samples of voice followed by a dark and tribal powerful rhythmic. | 04:05 | |
What it's Like | Intro in fade in on rhythmic repetition of percussions and drums with sustain of guitar in addition. Trance, traditional dance. | 06:58 | |
Dyngyldai | Rhythmic Morin Khuur or horse-headed vielle for the melody, accompaniment on organetto. Medieval drum. 1'41 Mongolian diphonic singing. Unrestrained race, wild horse. | 03:50 | |
With The Last Breath | Dramatic, Powerful theme with Oriental Instruments | 02:47 | |
Young Madmen | Dramatic, Powerful, Crazy theme with Oriental Instruments, Synths, Drums | 03:22 | |
Arab Girls | Reflective, Emotional, Atmospheric theme with Oriental Instruments and Synths | 03:09 | |
Subsidies | instrumental version. No voices. Clarinet, Bass Guitar | 02:54 | |
Daily Life | Energetic, Dynamic piano theme with synths | 01:49 | |
From The Eastern Frontiers | Hurdy Guardy theme over light melodic ostinatos | 05:15 | |
Anxiety and Fear | Interweaving violin melodies | 02:50 | |
Sky Surfing | Pulsing, dynamic, rhythmic sequence | 02:48 | |
Russian Coctail | Funny, Grotesque theme, No voice | 02:50 | |
Shade 2 | 30' version. Sensual theme featuring violin, piano, strings. Suspense | 00:42 | |
Shade 3 | 30' version. Dramatic, suspense theme. Action, Crime, Pursuit | 00:34 | |
Jazzy | Laid back. Happy melody. Female voice | 03:08 | |
Alberta Foisgras | Groove - Funky retro fat boy groove. | 01:20 | |
Underlemon 2 | Ska - echo guitar with button. | 00:11 | |
La Ferrina | Contemporain, jazz, urbaine, répétitive, transe, pop années 70. | 04:44 | |
Rust | Mystérieuse, aventure, printanière, répétitive. World. Fin avec solo de flute. | 03:38 | |
Satib | Darbouka. 1mn44 de percussions puis 3mn d'ambiance lounge. | 04:33 | |
Funky Zorba | One part gypsy strummed guitar, one part funky groove with lead guitar interplay and lots of Mediterranean spice. A cocktail of European fun right in the heart downtown. EP @ 0'42. | 02:06 | |
Exciting Times | Moving edgy driven party club rock groover. | 02:19 | |
Monitor | Kick and bass ostinato. Sound effects and synth effects. Minimalist, industrial, repetitive. Trance. Dance floor. Robotics. | 06:01 | |
Replay | Beat and effects, samples. 0'46 sequence, 0'59 break, 2'00 Bass evolution, percussion. | 05:53 | |
What's Your Vice | An up-tempo club dance track. Reminiscent of DJ club music in the late 1990's.. Upbeat, Energetic, Groove, Assertive, Happy, Playful, Cluby, Up, Uplifting, 1990s. | 00:41 | |
For Every Robot A | Curious atmospheric electronica and SFX lead to upbeat energetic euro-style electronica. As used by Sony. Good for technology product. Energetic, Fresh, Driving, Driven, Hypnotic, Curious, Bright, Euro, technology. | 00:43 | |
Sitting Target | Big Beat spy theme.. Cheeky, Groove, Confident, Ominous, Strong, Anticipation, Bold. | 00:34 | |
Dirty Dog | Japanese Korean punk rock track with crazy female vocal.. Aggressive, Energetic, Angry, Indie, Punk, Band, Live. | 01:07 | |
Sunny Days | Bright and daytime pop-reggae skank.. Cheeky, Quirky, Fun, Funky. | 00:22 | |
We Are Dust | An assertive percussive Bigbeat track.. Assertive, Macho, Strong, Driving, Quirky, Frantic, Upbeat, Forceful, Spy, Dramatic. | 00:32 | |
Latino Ident | A short ident or sting. Good for corporate logo.. logo, sting, ident, corporate. | 00:05 | |
Monkey Can Do | Grinding reggae skank with organ, guitar and mondo rhythms.. Grinding, Upbeat, Cheeky, Cool, Light-Hearted, Cartoony, Mischievous, Optimistic. | 00:33 | |
Punk Funk | Energetic indie guitar funk rock with catchy riff.. Energetic, Punk, Driving, Driven, Macho. | 01:14 | |
The Reaper | Psychedelic Hammond organ with guitar and tambourines.. Psychedelic, Rocking, Impending, Dramatic, Macho, Driven, Frightening, Ominous, Looming. | 00:26 | |
Use It Lose It | Rock track with chunky guitars, big drums and rocking organ.. Rocking, Energetic, Macho, Confident, Queens Of The Stone Age, Foo Fighters, punk,. | 01:02 | |
Stuck In The Mud | 1970's inspired Glam Rock track (Mud, The Sweet etc) with Guitars, Drums, Bass, vocals and Farfisa.. 1970's, Glam, Powerful, Driving, Driven, Frantic, Energetic, Indie, Confident. | 02:00 | |
Yonix | Beat. Games and break of synths, bass, effects and electronic percussions. | 04:06 | |
African Travel | Afro Cuban Such as Bembe. The Bembe are a Kongo ethnic group. The Bembe was originally a profane rhythm, the term Bembe is also used to designate a celebration or festivities with totally popular character. Congas. | 03:18 | |
Calle Negra | Afro Cuban Such as Comparsa. The comparsa is a collective dance of march, which originates in the secular festivals of the slaves during the Spanish colony, especially in the day of the kings. | 02:15 | |
Bongo Salvage | Afro Cuban such as Changui. The Changui is a musical genre born about 1860 in the eastern part of Cuba. His instruments, the tres, the marimbula, the maracas, the guiro or guayo, metal vegetable rape, rubbed with a baguette and the bongo. | 02:44 | |
Juba | Haitian Such as Juba. Rhythm of the Dead. It is played during commemorations or burials, it is a gued ryhme the dead whose prince is Baron Saturday. | 02:41 | |
Deep Congo | Haitian Style such as Vaccine. The Vaccin are the rhythms played for the carnival. | 03:06 | |
Rumba 21 | Afro Cuban Such as Guarapachanguero. Cuban rhythm born in 1984. It is elaborated on the basis of the Guaguanco within the group Chinitos. | 02:15 | |
Havana Street | Afro Cuban Such as Guaguanco rumba. The tumbadoras being the drums of Congolese origin serving rituals of Bantu origin palo, makuta, garabato. Transformation of barrels without the bottoms and on which are stretched dried animal skins. | 03:20 | |
Killing Mountain | Afro Cuban Such as Palo Matanzas. The Palo is an Afro-American syncretic religion practiced in Cuba, close to Santeria and Candomble, it is African shamanic beliefs mixed with elements of spiritism, magic and Catholicism. | 02:51 | |
Red Tambor | Afro Cuban Such as Columbia Havana rumba. Rumba is a Cuban musical genre, made of songs and percussions, which developed in the 19th century in the Afro-Cuban circles of the capital, Havana. | 02:54 | |
Senze Trip | Afro Cuban Such as Columbia Nongo. Columbia nongo is traditionally the first columbia created. She is native of Savanilla a small town next to Matanzas in Cuba. | 02:36 | |
Set With Pearls | Afro Cuban Such as Guiro. Of the Bembe family. Its name comes from the güiro name given to the calabash in Cuba, calabash which is used to make the Shekéré. | 02:14 | |
Speedy Highway | Afro Cuban Such as Makuta. Originally, the Makuta accompanied the coronation ceremony of the kings congos in Africa. Used in the 19th century in the cabildos of Cuba, it went from ceremonial music to ritual and sacred music. | 02:37 | |
Sticky Stick | Afro Cuban Such as Palo Havana. The Palo is a Congo tradition brought to Cuba by the slaves in the sixteenth century. The practice revolves around a central theme, the nganga, constructed according to a very precise ritual invoking the dead and forces of nature. | 03:12 | |
Piece for prepared piano numero 12 | Piano solo. In the Harmonic Jungle. Repetitive, dynamic, exotic. | 02:20 | |
Piece for prepared piano numero 2 | Piano solo. Rhythmic destructuring. The clock on the piano is out of order. | 04:22 | |
Les fourmis technologiques | Like a batucada. Solo of different rhythmic instruments. Edit point at 1'39 kick. | 03:51 | |
Orange le débat | Fluctuating and repetitive rhythm, energy, machine, drive. | 03:32 | |
Orange l'obsession | Repetitive rhythm, obsession, energy. | 03:02 | |
Edelweiss 03 | Progressive and repetitive with choir in onomatopoeia, and drums towards the end. Trance, suspense, strange. | 04:42 | |
Edelweiss 06 | Sacrifice, crowd movement. Repetitive synthesizer progression with onomatopoeia andfrench horn. Strange. | 05:24 | |
Dark Heroes | Synth and anxiogenic sound effects. 1'07 drums and bass notes of acoustic piano. Evolutive with more and more sound elements. | 03:50 | |
Dream Catcher | Progressive rock drum. Strange song. Ethnic instruments, drums. Edit point at 0'59 and 1'25 break and crescendo. | 02:15 | |
Ouverture Espagnole No1 | Mikhail Ivanovitch Glinka: Capriccio brilliant on the theme of Aragonese Jota. Jota aragonesa. Part 3. Powerful, springtime, adventure, orchestral almost circus. | 02:44 | |
Le Casse-Noisette Suite - Trepak | Piotr Ilitch Tchaikovsky: Suite of the Nutcracker. Opus 71a. Typical Dances, No. 2c. Russian Dance, Trepak en Gmaj. Tempo di trepak, molto perennial. Orchestral, springtime. | 01:00 | |
Gloria - Propter magnam gloriam tuam | Antonio Vivaldi: Gloria RV 589 in Dmaj for soloists, choirs and orchestra. Allegro. Theme a little warrior and beating. | 00:55 | |
Valse No14 - B56 en Emin | Frédéric Chopin: Waltz No. 14 - B 56 in Emin. | 02:53 | |
Le Lac des Cygnes - Danse Napolitaine | Piotr Ilitch Tchaikovsky: The Swan Lake. Opus 20, Act 3, No. 22. Neapolitan Dance. Allegro moderato. Andantino quasi Moderato. Orchestral, springtime, comic. | 01:55 | |
Le Lac des Cygnes - Danse des Cygnes - VII Coda | Piotr Ilitch Tchaikovsky: The Swan Lake. Opus 20, Act 2, No. 13. Dances of the Swans. VII. Coda. Allegro vivo. Final progressive with great strokes of orchestral tutti .. | 02:25 | |
Sanza Western | Sequence of Kalimba. Tribal Rhythmic offset, mix of drums and percussion. Polyrhythm. | 04:26 | |
Face To Face | Tambours prenants, cuivres guerriers, révolte d'esclaves. EP @ 2'38. | 04:27 | |
Succesf Of The Attack | Battant, guerrier, victorieux. | 00:29 | |
Impression Of Qing Hai Province | Sacrifice, tension, néoclassique. EP @ 0'39. QingHai Chine. | 02:24 | |
Isaia | Intro song and ethnic voice, flute. Edit point at 0'22 Rhythmic electro. Men's choirs and women's response. From 1'47 to 2'10 Rhythm change. | 03:42 | |
Click And Smoke | Rhythm based on onomatopoeias and sound effects. | 01:17 | |
Tribal Bottles | Mixes of African percussion, Indian percussion, and a drums. Exchange of solos. | 03:31 | |
Ethnic Fonck | Intro of ethnic instruments, flute. Edit point at 0'22, synth, bass drums, organ, power. A mixture of tradition and modernism. | 04:41 | |
Rituel Cannibale | Percussion, brass and orchestral violins. Choirs, gong. Tense harmony. Warrior. Edit point at 1'13 marimba, flute. | 01:13 | |
Didj Game | Australian rhythm and blues. James Brown guitar and bass and energetic didgeridoo. | 02:53 | |
Okaekala | Didgeridoo, synth effects. Sample ethnic, percussion, rhythmic electro. Psychedelic, ceremonial. | 02:37 | |
Child India Song | Indian Sitar, electronic percussion and wide bachground synth. Groove with bass fretless. Melody with an enchanting voice, a child. 1'59 break. | 03:36 | |
Lost In Percussions | Synth sounds effects. Percussion. Rhythmic trance. Edit point at 0'48, 1'28 rhythmic evolution. | 02:40 | |
Alhambra | Intro ethnic flute, synth background. Several changes of tempos. Reverse cymbals and percussion. Electro rhythm. | 02:58 | |
Beduins Move | Intro ethnic flute, darbouka. 0'15 rhythmic ostinato with bass drums and melody on the flute. 1'25 station. | 02:38 | |
Saravaati Celebration | Intro ambiance indienne, tabla et synthé. Edit point at 0'27 rythme rapide, thème au piano acoustique et réponse aux violons, sitar indien. 1'26 partie B. | 03:37 | |
keymuse | World with bagpipes and saturated guitars. Irish such as U2. | 03:17 | |
Soon | Remix disco of the '80s with psychedelic clarinette. | 01:51 | |
Steady | Funky drums. Melody on bass fretless. Shiny synth. Edit point at 0'36, Rap. | 03:01 | |
Noisy Whammy | Synth and sequenced saturated guitar. Jingle. | 00:42 | |
Alma Santanita | Latin rock band of the '70s. Percussions. Solo of saturated guitar. Carlos Santana. 2'09 Latin rhythmic classical guitar. | 03:17 | |
Irish Warllad | Scottish Military Theme, Bagpipes and Snare Drums. | 02:33 | |
Electric Moogiland | Synth sequence. Percussion, bass drum and bass. 0'53 stop sequence. Organ. 1'11 sequence again. | 02:13 | |
Sequence Lascive | Rhythmic tribal percussion and synths 80's far. | 03:34 | |
Funktrip 70'S | Groove Funk bass, drums, psychedelic guitar solo such as Hendricks at 0:44. | 01:27 | |
Maya's House | Tribal didgeridoo rhythmic, bass and floor toms Rhythm. Different solos. | 02:56 | |
Limousine Song | Holidays in New York. Tribal and sequenced. Loop. | 00:28 | |
Woman'S Breath | Rhythm and bass RnB, acoustic piano. Theme on singing in the far. Rhythm electric guitar and solo. Loop. | 00:27 | |
Autruche Bleue | Variation of didgeridoo solo. | 04:58 | |
Mauvais Esprit | Didgeridoo, several rhythmic sequences. Esoteric, hovering, captivating. | 01:55 | |
Décantation | Improvisation of a solo didgeridoo, effects and various sounds. | 03:15 | |
Mixed Blood | Ethnic Voice. Synth sequence. Violins, ethnic instruments. Progressions of rhythm and orchestral blast. | 05:22 | |
Haikai 2 | Music concise and spontaneous, as are the haiku, improvised Japanese poems. Rhythmic light and exotic. | 02:45 | |
All Night | Free party atmosphere, organized jungle sound, imprint of bestial sounds. | 02:53 | |
Great New World | Rock band. Riff guitar and bass in unison. Theme on the guitar. | 02:24 | |
Heavy Drop C | Rock band. Tense harmony of the theme. Edit point at 1'05, double tempo. 1'53 guitar solo. 2'12 break. | 03:11 | |
Take Seven | Rock band. Harmonized phrases of saturated and solo guitars. | 02:27 | |
Late Call | Intro darbouka, rek, douf, lute. Ostinato of bass synth. Ethnic flute, oriental singing. Edit point at 1'55 break drums and percussion. The muezzin of modern times. | 04:50 | |
Massai Call Dance | Intro synth with filter. Bass insistence. Ethnic voice samples. Techno tribal, African trance. | 03:45 | |
Wah Jungle | Intro percussions, funky bass and syncopated synth. Theme in synth wah. Ethnic flute. 1'07 bass and percussion break. Improvisation of flute. | 03:03 | |
Boomaka Fela | Groove with bass slap, drums, percussion. Theme at the 60's organ, saxophone solo. | 05:00 | |
Nike Theme 2 | Filtered drums, guitars and scratch. Hey. | 00:52 | |
Progress | The rhythm is a mixture of natural percussion. Bass played onbalafon. Melody played by a brilliant synth. Some sound effects. | 01:00 | |
Tribaloo | African percussions and songs. Repetitive tribal theme. Incantatory, tribal, ceremonial. | 02:19 | |
Austral | Didgeridoo, crowd and singing. Percussions, marimba and singing in the far. Edit point at 1'18, percussion break. Ethnic flute, acoustic piano and fretless bass for the theme. 2'08 bass disco. 2'38 Voices. | 03:33 | |
High Pulsation | Rhythmic pulsations cut with sound elements and saturated guitars. | 00:58 | |
Recall Polar | Airy, cottony. Fast bass and drums. | 00:38 | |
Funky Roots | Ethnic jam session and fusion music. | 04:29 | |
Lakdari | Rhythmic funk. Sample theme of voices and dark ethnic instruments. Edit point at 1'50 break bass fretless and lute. Part B saturated guitar. | 03:37 | |
Mosaica | Synth in background, ethnic flute, oriental harmony. 0'47 percussion, bass, ethnic voice, rhythmic electro. Edit point at 1'21 double tempo. | 04:02 | |
Santeria Dance | Intro spacy, sounds of nature, birds. Edit point at 0'18 Ethnic Voice Theme. Synthesized sequence. 1'14 break. | 03:36 | |
Zakat Mind | Intro deep synth, Ethnic song, oud. 0'36 rhythmic electro and riff oud. Edit point at 0'54 flute and ethnic song. | 03:34 | |
Zulu Call | Bass and sequence with ethnic voices. Edit point at 1'24. Quiet part with percussion. | 03:27 | |
Force Fidelite Foi | Electronic convent choirs. Edit point at 0'24, electronic rhythm, synth. | 01:00 | |
Hot Snap | Funky drums and saturated synth. Different tribal sound images. | 01:00 | |
Nike'S Double Rv | Space synth, saturated rhythm. Sound effects. | 01:00 | |
Dark Thub | Texture, dark sounds, heavy rhythm. Violins deep. Edit point at 0'43 cymbal and chorus shouts. | 01:30 | |
Africa Town | Rhythmic marimba and urban sounds. | 01:08 | |
Rejoicing | Noise of wave on the beach. 0'39 percussion, synth and bass, 1'23 rhythm shuffle and melody on electric piano. | 03:33 | |
Blast | Powerful synth theme. drums loud. Theme song. Jingle. | 00:04 | |
Windfire | Horn section energy. '80s. Jingle. | 00:03 | |
Fishing Dance | Sounds of seaside, percussions, electric piano, bass and violins. | 03:26 | |
Iconoclast | Theme song, urban ritornello. | 00:29 | |
Outflute | Synth effect then rhythmic funky, bass slap. Ethnic flute. | 00:18 | |
Sacre Michel | Intro with sample of ethnic voices. Brilliant brass synth theme. 0'48 part B. 1'21 break. Dynamic credits. | 02:21 | |
Oualam | Male monodic choirs, singing and ethnic instruments, discreet saturated guitar. Percussion. | 03:47 | |
Miss | Repetitive guitar riff. Rhythm mainly of percussion. | 02:54 | |
Style | Riff synth. Voiceless. choir. Discreet violins. 1'47 break. | 03:01 | |
Bendidi | Slow rhythm with natural and remixed percussion. Ethnic female song. 1'37 break. | 02:47 | |
Zewitma | Ethnic voice, synth in background. | 01:54 | |
Derviche | Dervish of 2 guitars and percussions. Repetitive phrases and improvisation. Acceleration. Gong. | 01:35 | |
Drive In The City | Bass and RnB drums. Reverse effect on the guitar. Percussion. | 01:39 | |
Drive In The Night | Bass, drums, rhythm guitar. Theme and solo on guitar. 1'31 percussions. | 01:53 | |
For Die Thing | Ethnic percussion, electric guitar with vibrato and wha wha. Orchestral Accent. Drum break. | 01:26 | |
I Need You | Drums, double bass, organ, electric piano arpeggios. Female singing. 0'36 break. | 01:55 | |
In My House | Riff of saturated guitar on Latin rhythm. Choirs and organ riffs. | 01:27 | |
India | Women's choir and synth. Percussion and rhythm. Melody to the synth and response to the brilliant synth. | 01:38 | |
T2B | Two mixed batteries, for a complex rhythm. E.Piano and bass follow each other on the melody. | 01:31 | |
Kts | Disco-pop, percussion, claps, bass and muted guitar. | 01:24 | |
Nora | Set of oriental percussions, Darboukas, Bendirs, Duffs, Riqs, Sagattes. | 00:48 | |
Little S | Percussion and electric guitar ostinato. 0'20 funky rhythmic. | 01:54 | |
Pyg | Intro organ and song. Rock band and backing vocals. Repetitive theme. 0'29 drums and backing vocals. | 00:51 | |
Yes My Name Is | Guitars and rhythmic funk. Rap voices, female choirs. 0'51, 1'06, 1'36, 1'55 breaks. Underscore version. | 02:39 | |
Proud | Heavy rhythm, toms rolls. | 01:15 | |
Para | Electro-pop band from the 80's. Bass in ostinato. Riff synth. 0'31, 1'27 breaks percus. | 02:06 | |
Sentimentalement | Female voice sung and shouted, reverse effect. Rythmic RnB. Rythmic guitar. 0'53 percussion, organ kitch. 1'28 break percussions. | 02:40 | |
Tienda | Deep synth, percussion, bass. Saturated guitar theme. | 03:22 | |
Tech Lise | Industrial percussive and heavy. Different percussion interventions. 0'46 break. 1'30 talking drum. | 02:33 | |
Up The River | Percussion, marimba, bass and drums. 0'32 break clavinet. 0'52 percussion. | 01:55 | |
Where Is The Bass | Sounds in the far. Radio voice, bass riff and finger snaps. Synth Accents. | 02:23 | |
Ouh Ba ! | Dobro, electric guitar, organ, ethnic percussion, tribal cries. | 01:09 | |
Zakir | Improvisation on different African and Indian percussions. | 01:56 | |
Gotan Slow | Synth in background. Mechanical percussions. Orchestral Accent. 0'50 break, accents and electric guitar. | 04:41 |